Tag: Peppermint Playhouse

  • October 1st in Seal Beach History

    On this date in 1961, the following ad for the Ivory Tower Bookstore ran in the Long Beach Independent. The Ivory Tower has appeared here in posts for May 5th and June 11  because the crackerjack editorial team here at “This Date in Seal Beach History” are fascinated by bookstores.


    The Ivory Tower was opened at 113 Main Street in September 1961 by Jim Scully and Norma Brisson, but Jim Scully was the personality and face of the business.

    Scully grew up in Butte, Montana where he excelled at gymnastics in school. In 1946, while he was studying Japanese in the Army, he took a spill in the gym and broke his neck and became a paraplegic.

    In spite of having only limited use of his hands and arms, he continued to study and write, graduated from UCLA in 1952, and took classes towards his masters at Long Beach State while running The Ivory Tower. He even found time to write a column for California Paralyzed Veteran News Bulletin, called “The Ivory Tower.”

    Late in the sixties, Scully married another paraplegic and even adopted a little girl.

    In a March 3, 1962 profile of Scully and the bookstore in the Long Beach Independent, he noted that Seal Beach had “grown from a sleepy little village into an artistic town. It could become the Carmel of Southern California.” Scully felt that the west side of Main Street (the side where the Ivory Tower operated) was more arty with a coffeehouse (probably the Rouge et Noir) and artistic shops while the east side had more traditional businesses. Scully saw his bookstore as “at the center of a blossoming cultural revolution.”

    The bookstore as described in March 1962, was not only filled with books, but modern art — some of it risque — adorned the walls and offered coffee, conversation and foreign magazines filled with propaganda. Scully also mentioned their bestselling book in 1962 was Henry Miller’s Tropic of Cancer at 50 copies sold in three days. “I wish we could get more.” 

    (At the time, many felt Tropic of Cancer was smutty and was the subject of many obscenity court cases until the Supreme Court declared it non-obscene in 1964. This explains why Scully had trouble getting more books and why it was such popular reading in 1962)

    It’s hard to pinpoint exactly when the Ivory Tower closed its doors for good, but I have faint memories of the store still operating around 1971 or 1972. It did not last much longer than that. It definitely was part of its era, along with the Arts Center, the Rouge et Noir, the Bay Theatre running foreign art films and the plays at the Peppermint Playhouse. (Although both of those businesses were on the east side of Main Street in 1961.)

    – Michael Dobkins


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  • September 10th in Seal Beach History

    On this date in 1966, the Peppermint Playhouse held its last performance of Julius Caesar.

    sept_10_1966_peppermint_playhouse_julius_caesar_ad

    Today most people remember it as a child care center located at 225 Main Street, but the Peppermint Playhouse provided Seal Beach with local theatrics and dance instruction for years at various locations, including 124 Main Street where Endless Summer now operates, and the current management frowns upon the assassination of Roman emperors.

    – Michael Dobkins


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  • May 8th in Seal Beach History

    On this date in 1965, local theater-lovers of all ages could stroll to Main Street and treat themselves to a Saturday show (or two) at the Peppermint Playhouse.


    In the afternoon, there was a matinee of “Sleeping Beauty” for the kiddies. a few hours later in the evening, the Peppermint Playhouse presented an evening performance of “He Ain’t Done Right By Nell,” an old-fashioned melodrama in one act written by Wilbur Braun in 1935 as an affectionate pastiche of the broad, over-the-top plays that were so popular in the 1890s.  (The title was taken from a 1920s novelty song made popular by Irving Aaronson and his Commanders.) 

    Quoting the synopsis in the Samuel French edition of the play:

    Little Nell Perkins lives in the hills with her grandmother, Granny Perkins. Nell never suspects that she has no claim to the Perkins name or that she is a foundling who was left outside the Perkins barn 20 years ago. Hilton Hays, the villain, overhears Granny Perkins discussing the matter with Lolly Wilkins, a nosy old maid. When Nell repulses Hays’ advances and tells him she knows he is paying attention to Vera Carleton, a city gal, Hilton threatens to tell the true secret of Nell’s birth to the world.

    (The Cad! Boo! Hiss!)

    Poor Nell is much too honest to wed Jack Logan, the manly hero, and she cannot stay in the mountains and have the finger of shame pointed at her. She says good-bye to the mountains and prepares to roam the cold, cruel world, seeking a refuge for her broken heart.

    (Oh, the shame! How will luckless Nell survive?)

    Just as she is about to depart, Burkett Carleton, who owns the mill, calls at the Perkins cabin in search of Hilton Hays. Hays has stolen money from the mill and is short in his accounts. The wealthy Mr. Carleton unmasks Hays and discovers by the locket worn around her neck that Nell is his very own granddaughter, who was kidnapped when but a babe. A happy reconciliation occurs and Nell is united in matrimony with Jack Logan, who is poor, but honest.

    (Virtue once again triumphs over wickedness!)

    According to Ralph Hinman’s review the next day’s Long Beach Independent Press Telegram, the play worked magnificently.  He especially praised Ronald Chaffee’s sneering and leering performance as the villainous Hilton Hayes with his “black cape twirling evilly below top hat.” Susan Taylor starred as Nell (in a virtuous white dress), her stalwart love interest, Jack was played by Kennedy Bond, Sue Ofstedahl was Granny, and Brigit Bond played bad big-city girl (with a secret heart of gold), Vera Carleton, and Thomas Stewart played her father, Mr. Carleton. Lucille Kiester did double duty as Lollie, the old maid gossip and also directed the show.

    Tom Stewart and Birgit Bond examine Sue Taylor’s locket

    The evening’s entertainment climaxed with an “olio — a polite vaudeville,” as Peppermint impresario Kay Carrol put it in the review that ran the next day. “We’re trying to create a ‘fun’ thing, a place where people can come just to enjoy themselves.” Marie Davidson, Bob Mitchell, Pat Plechner, Mary Ann Kingsland, Karen Hutchison and Roger Richards sang, recited sad verses, and danced to a band accompaniment of piano, banjo, trombone, fiddle, guitar, and musical saw. The musicians were Stella Macintosh, Sophie Waldman, Seth Tracey, George Ulz, and Manual Romero. Disappointingly, the review didn’t list which one played the saw.

    The Peppermint Playhouse location in 1965 is today’s location of Endless Summer at 124 Main Street. The current management’s policy on hissing the villain is unclear.

    – Michael Dobkins


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  • April 23rd in Seal Beach History

    On this date in 1965, the Long Beach Independent ran the following ad for the final performances of “Suds In Your Eye,” directed by Larry Johns.

    April_23_1965_Peppermint_Playhouse_ad-3“Suds In Your Eye” is a farcical three-act play that ran on Broadway for forty-four performances in 1944. It was written by Jack Kirkland and based on the 1942 novel by Mary Lasswell. 

    “Suds In Your Eye” is the tale of three eccentric elderly women united by their fondness for beer and living merrily together in a San Diego junkyard they’ve nicknamed “Noah’s Ark.” When a dishonest lawyer pockets the property tax for their home, the three friends must use all their wiles to raise the money in time to save Noah’s Ark. The novel was so popular that Lasswell wrote four sequels about the further adventures of the “Arkies.”

    Sounds like a fun night out on Main Street.

    – Michael Dobkins


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  • March 23rd in Seal Beach History

    On this date in 1965, Gino Nardo interviewed potential singing pupils for private vocal coaching sessions at the Pepperment Playhouse at 124 Main Street according to this March 22 Long Beach Independent ad. Mr. Nardo had worked in radio, television, and night clubs and with stars like Frank Sinatra, Robert Goulet, and Jane Powell.

    Ah, just more thing:

    On the September 24, 1972, the Long Beach Press-Telegram printed a photo of Nardo with Anne Baxter with a captioned mentioning that he was playing her first husband in an upcoming episode of Columbo titled “Death by Starlight.” By the time it aired on January 21, 1973, the episode name had been changed to “Requiem for a Falling Star.” Anne Baxter played Nora Chandler, a fading movie star and murder suspect.

    There’s just one thing that doesn’t make sense about that photo in the newspaper. IMDB doesn’t list a Gino Nardo as part of the cast, and yet there’s this photo of him with Anne Baxter.

    It kept niggling at me.

    It didn’t come together until I read a synopsis of the episode. Nora’s first husband Al Cumberland disappeared under mysterious circumstances years before, so he isn’t actually seen in the episode, but when Columbo is nosing around Nora’s home (as one does when one is a tv detective), he notices a photo of Nora Chandler with her missing first husband, studio chief Al Cumberland.

    You’ll have to hunt down the episode yourself to see how Columbo solves the crime. If you do, watch carefully when Peter Falk examines Nora’s photo collection. You might catch a glimpse of a vocal coach from Seal Beach.

    (Columbo is a fun but preposterous character, of course. No one in real life could ever be that obsessive about trivial details.)

    – Michael Dobkins


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  • January 9th in Seal Beach History

    On this date in 1965, at the Peppermint Playhouse, the Children’s Theater debuted with “Rumpelstiltskin.”
    Jan 09_1965_Peppermint_Playhouse b-3

    – Michael Dobkins

    Have you enjoyed this and other This Date in Seal Beach History posts?

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